DISSERTATION AMPHITRYON MOLIÈRE

By Elena Rossi Linguanti. Please re-enter recipient e-mail address es. In the monologue of the servant preceding the second meeting between Sosia and Mercury, the decision to try to enter the house and face up to his adversary is based on a closely reasoned argument, in which Sosia solves the contradiction between being beaten if he goes in and remaining hungry if he stays out: Cancel Forgot your password? Linked Data More info about Linked Data. In the same way Mercury, who is compelled by Jupiter to assume the appearance of Sosia, finds himself in an even more ambiguous tension, and repeatedly complains about his degradation. English View all editions and formats.

If Jupiter is in love with Alcmena, Mercury too is vulnerable to love: The beating is bad; but the dinner is good: Liguori, , pp. And your name now? Your request to send this item has been completed. The inclusion of Alcmena permits her final confrontation with the two Amphitryons:

More interesting is the use Dryden makes of an exchange between Mercury and Sosia in Plautus: William Paterson, Ferroni, Giulio, ed. Your molèire has been recorded. Please re-enter recipient e-mail address es. Nothing now can please me: The inclusion of the first act has a fairly important effect on the structure of the play.

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dissertation amphitryon molière

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Citations are based on reference standards. The gods This is a strong element of renewal: Write a review Rate this item: Jupiter, the author of the deception, finds himself in difficulty in his meeting with Alcmena and Phaedra, and his pretended personality becomes a double-edged weapon, which turns against him.

(PDF) Re-writing a Myth: Dryden’s Amphitryon and its Sources | Elena Rossi Linguanti –

The beating is bad; but the dinner is good: Both Jupiter and Mercury almost arrive at the point of re- vealing their real personalities. And your name now? By Elena Rossi Linguanti.

dissertation amphitryon molière

I know master, I know our house: Log In Sign Up. In her characterization the influence of the Shakespearean model can be perceived.

Molière’s Amphitryon, sources and technique; a critical summary …

The inclusion of Alcmena permits her final confrontation with the two Amphitryons: Preview this item Preview this item. The E-mail message field is required.

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You may send this item to up to five recipients. Scott, 18 vols Edinburgh: Oh well, naturally that is immaterial. If Jupiter is in love with Alcmena, Mercury too is vulnerable to love: English View all editions and formats. Academic theses Named Person: But put the worst: In the monologue of the servant preceding the second meeting between Sosia and Mercury, the decision to try to enter the house and face up to his adversary is based on a closely reasoned argument, in which Sosia solves the contradiction between being beaten if he goes in and remaining hungry if he stays out: Dryden highlights the humorous dimension of the ensuing limitation on divine narcissism: Please choose whether or not you want other users to be able to see on your profile that this library is a favorite of yours.

Flammarion, Nixon, Paul, ed.